![]() Until she turns on the light.Ĭopyright ©2023 Dow Jones & Company, Inc. There’s simply a frightened woman hearing noises, seeing something, switching switches and cowering under the covers. This one, a debut feature, is awfully inept, whereas the short isn’t long enough for ineptitude to take hold, or for a story to develop. When they’re off, a shadowy figure appears, or makes menacing noises.) Still another reason is fear of foolish films. Growing up, she was never really sure of what was and wasn't real when the lights went out.and now her little brother, Martin, is experiencing the same unexplained and terrifying events that had once tested her sanity and threatened her safety. When Rebecca left home, she thought she left her childhood fears behind. (When they’re on, all is reasonably well, though the music may claim otherwise. Purchase Lights Out on digital and stream instantly or download offline. Another reason is that “Lights Out” may mess with your circadian rhythms, what with lights being switched on and off incessantly. Sandberg based on his 3-minute short of the same name. Picturesįear of the dark isn’t the only reason to avoid “Lights Out,” a notably short horror flick-the running time is 81 minutes-that David F. You can find more info about Benjamin Wallfisch on his website.Watch a film clip from "Lights Out," starring Teresa Palmer, Gabriel Bateman and Maria Bello. The Soundtrack for Lights Out is available from WaterTower Music. Last year, Wallfisch garnered his second IFMCA Nomination for the animated feature, Gamba: Ganba to nakamatachi. In 2013, he would get his first IFMCA nomination and HMMA win for Summer in February. ![]() In 2009, Wallfisch would add an Emmy nomination to his list of accolades for the music to When We Left Earth: The NASA Missions. This earned Wallfisch his first out of four later nominations ( Summer in February, Hammer of the Gods, The Escapist) as ‘Discovery of the Year’ at the World Soundtrack Awards. Wallfisch then worked as sole orchestrator on numerous other movies such as Pride and Prejudice, V for Vendetta, The Soloist, Eat Pray Love, Jane Eyre and Robin Hood until his scoring debut for Lars von Trier’s Dear Wendy. Lights Out Blu-ray Includes Digital Download 2016 Region Free Format. At the same time, he studied under Academy Award winning composer Dario Marianelli where he orchestrated and conducted Marianelli’s Oscar-winning score for Atonement. My task was to figure out how to do that in a way that felt completely of the DNA of the movie the look, the pace of the cut, the performances, and find themes which told the story of these characters with a sense of truth and simplicity.Ĭomposer Benjamin Wallfisch hails from a distinguished musical family and at 22 was appointed Associate Conductor of the English Chamber Orchestra and later Assistant Conductor of the Netherlands Radio Philharmonic. The music had to help guide the audience through the subtext of the story, at times very subtle, at other times outrageously visceral. The scares are always earned and there’s often a playful glint in the filmmakers’ eye. The movie delivers both raw scares and a powerful story with an unwavering sense of integrity to the characters. The biggest challenge for sure was finding a sound for Diana, making her feel like the fabric of the movie, whilst at the same time being led by the story and delivering the human truth of what these people are experiencing and why. Also the monster, Diana, has a motif – one that is the stuff of nightmares: It’s kind of like a demented lullaby, an obsessive tune that almost closes in on itself. There is a strong “mother/daughter” theme where I went about capturing the complex dynamic between them with a melody that can never quite find its home. “Sandberg was keen I write a score with very strong themes and emotion at its core, which is pretty unusual for horror films.”īenjamin told us a bit more about the whole process behind the score for Lights Out:Įarly on, David and I discussed how we wanted to go about bringing the subtext of an emotional family drama to the fore of the score, in the context of a high adrenaline horror movie. But overall it becomes obvious that “even though it’s a horror film, it is also a strong family drama in which you really care about the characters,” as composer Benjamin Wallfisch stresses. From there on the score gets much darker with more jump scares included. No wonder that track carries the name of the monster, Diana. 490.00 4K 520.00 HD 520.00 HD Something wrong Let us know Synopsis Rebecca must unlock the terror behind her little brothers experiences that once tested her sanity, bringing her face to face with a supernatural spirit attached to their mother. The score itself lulls you in beautifully with its first tracks and then kicks you out of your chair when the first loud hit kicks in.
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